In the much-anticipated unveiling of Oscar nominations, Christopher Nolan’s film “Oppenheimer” emerged as the frontrunner, garnering a staggering 13 nominations. The announcement, setting the stage for the 2024 Oscars, also spotlighted other notable contenders, with Emma Stone’s fantasy film “Poor Things” securing 11 nominations, closely followed by Martin Scorsese’s gripping drama “Killers of the Flower Moon” with ten.
OPPENHEIMER DOMINATES WITH 13 NOMINATIONS
Christopher Nolan’s cinematic prowess takes centre stage as “Oppenheimer” sweeps the nominations, confirming its status as a formidable contender in multiple categories. With 13 nominations, including nods in major categories, the film is poised to make a significant impact at the upcoming Oscars.
EMMA STONE’S “POOR THINGS” EARNS 11 NOMINATIONS
In a testament to the convergence of fantasy and drama, Emma Stone’s “Poor Things” secured 11 nominations, showcasing the film’s artistic brilliance and Stone’s compelling performance. The fantasy genre receives notable recognition, promising an enchanting presence at the Oscars ceremony.
“KILLERS OF THE FLOWER MOON” GAINS 10 NOMINATIONS
Martin Scorsese, a maestro of storytelling, sees his latest creation, “Killers of the Flower Moon,” attaining 10 nominations. The film, which delves into a gripping narrative, earns accolades across various categories, solidifying Scorsese’s standing as a cinematic luminary.
SUMMER BLOCKBUSTER TRIUMPH: “BARBIE” SCORES EIGHT NOMINATIONS
Proving that blockbuster entertainment can also capture the Oscars’ attention, the summer sensation “Barbie” earned an impressive eight nominations. The film’s widespread appeal and cinematic achievements contribute to its recognition in key categories.
COUNTDOWN TO THE OSCARS: MARCH 10
Marking the calendar for film enthusiasts, the Oscars are set to take place on March 10, with the seasoned host Jimmy Kimmel returning for the fourth time. As the film industry eagerly awaits this prestigious event, the nominations hint at a riveting and fiercely competitive ceremony, celebrating the best in cinematic achievements.
BEST PICTURE
AMERICAN FICTION
Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
ANATOMY OF A FALL
Marie-Ange Luciani and David Thion, Producers
BARBIE
David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
THE HOLDOVERS
Mark Johnson, Producer
KILLERS OF THE FLOWER MOON
Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
MAESTRO
Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
OPPENHEIMER
Emma Thomas, Charles Roven and Christopher Nolan, Producers
PAST LIVES
David Hinojosa, Christine Vachon and Pamela Koffler, Producers
POOR THINGS
Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
THE ZONE OF INTEREST
James Wilson, Producer
BEST DIRECTOR
Justine Triet, “Anatomy of a Fall”
Martin Scorsese, “Killers of the Flower Moon”
Christopher Nolan, “Oppenheimer”
Yorgos Lanthimos, “Poor Things”
Jonathan Glazer, “The Zone of Interest”
BEST ACTOR IN A LEADING ROLE
Bradley Cooper, “Maestro”
Colman Domingo, “Rustin”
Paul Giamatti, “The Holdovers”
Cillian Murphy, “Oppenheimer”
Jeffrey Wright, “American Fiction”
BEST ACTRESS IN A LEADING ROLE
Annette Bening, “Nyad”
Lily Gladstone, “Killers of the Flower Moon”
Sandra Hüller, “Anatomy of a Fall”
Carey Mulligan, “Maestro”
Emma Stone, “Poor Things”
BEST ACTOR IN A SUPPORTING ROLE
Sterling K. Brown, “American Fiction”
Robert De Niro, “Killers of the Flower Moon”
Robert Downey Jr., “Oppenheimer”
Ryan Gosling, “Barbie”
Mark Ruffalo, “Poor Things”
BEST ACTRESS IN A SUPPORTING ROLE
Emily Blunt, “Oppenheimer”
Danielle Brooks, “The Color Purple”
America Ferrera, “Barbie”
Jodie Foster, “Nyad”
Da’Vine Joy Randolph, “The Holdovers”
BEST CINEMATOGRAPHY
“El Conde”
“Killers of the Flower Moon”
“Maestro”
“Oppenheimer”
“Poor Things”
BEST INTERNATIONAL FEATURE FILM
“The Teachers’ Lounge,” Germany
“Io Capitano,” Italy
“Perfect Days,” Japan
“Society of the Snow,” Spain
“The Zone of Interest,” United Kingdom
BEST ADAPTED SCREENPLAY
“American Fiction”
“Barbie”
“Oppenheimer”
“Poor Things”
“The Zone of Interest”
BEST ORIGINAL SCREENPLAY
“Anatomy of a Fall”
“The Holdovers”
“Maestro”
“May December”
“Past Lives”
BEST LIVE ACTION SHORT FILM
“The After”
“Invincible”
“Knight of Fortune”
“Red, White and Blue”
“The Wonderful Story of Henry Sugar”
BEST ANIMATED SHORT FILM
“Letter to a Pig”
“Ninety-Five Senses”
“Our Uniform”
“Pachyderme”
“War Is Over! Inspired by the Music of John & Yoko”
BEST ANIMATED FEATURE FILM
“The Boy and the Heron”
“Elemental”
“Nimona”
“Robot Dreams”
“Spider-Man: Across the Spider-Verse”
BEST ORIGINAL SONG
“The Fire Inside” from “Flamin’ Hot”
“I’m Just Ken” from “Barbie”
“It Never Went Away” from “American Symphony”
“Wahzhazhe (A Song for My People),” “Killers of the Flower Moon”
“What Was I Made For?” from “Barbie”
BEST ORIGINAL SCORE
“American Fiction”
“Indiana Jones and the Dial of Destiny”
“Killers of the Flower Moon”
“Oppenheimer”
“Poor Things”
BEST EDITING
“Anatomy of a Fall”
“The Holdovers”
“Killers of the Flower Moon”
“Oppenheimer”
“Poor Things”
BEST SOUND
“The Creator”
“Maestro”
“Mission: Impossible – Dead Reckoning Part One”
“Oppenheimer”
“The Zone of Interest”
